Every major city, no matter how bland or un-cool it seems, has a secret hipster population. Even San Antonio, in the heart of Texas Hill Country, is home to a group of those elusive “cool kids” who seamlessly blend vintage with Urban Outfitters, have thousands of followers on Instagram, and expertly curate Spotify playlists. While their numbers are definitely growing, I have yet to see any one event draw them all together like of Montreal’s concert at the Paper Tiger did. There was a collective feeling of “in the know” among the crowd. Not all members fit the typical profile, instead there was an incredible sense of inclusivity among the crowd. It didn’t matter if you were wearing Doc Martens or New Balances, Birkenstocks or Vans. Everyone belonged, and everyone had something special about them. Even the opening band commented on the atmosphere, praising how cool everyone was multiple times. (Source: Sierra Brown) From the moment of Montreal’s set began to the moment it ended, the entire venue became a mystical neon wonderland. Bright, colorful light effects, shimmering melodies, and Kevin Barnes’ energetic performance created an entrancing environment. The prominent guitar in “gratuitous abysses” immediately drew the crowd in, and we all followed as Barnes took us on a journey reminiscent of Willy Wonka’s boat ride down the chocolate river. (Source: Sierra Brown) The set-list was obviously well planned, with a strong narrative and smooth flow between songs. After 20 years of making music, selecting a set-list that satisfies new and old fans is no small feat. Of Montreal nailed it, including old classics like “Gronlandic Exit” and newer songs such as “Stag to the Stable” from his January EP Rune Husk. The visual effects that accompanied the show were incredible. The show was striking, with bright colors, bold patterns, and distinct images flowing together. Barnes stood at the center of it all, in drag, boldly commanding the crowd’s attention. He never had to compete with his background, but instead it seemed to support him and his band. The main focus of the show was obviously the music, and everything else about the performance added to it. (Source: Sierra Brown) Barnes has been making music as of Montreal since 1997, and his experience shines through in the quality of his performance. He danced, sang, and worked the stage with a strong sense of knowledgeability. Every move, every note, and every part of his performance was purposeful while still fluid. There was none of the rigidity or exhaustion that some artists develop after careers as long as of Montreal’s. While Barnes was the obvious center of the stage, he didn’t overshadow his band. The other members were spread behind him in an open semicircle. Their blocking was strategic- it allowed Barnes to stay in the forefront but diffused enough attention from him that no one went unnoticed. His band members mirrored the aesthetic of the crowd, projected a sense of effortless coolness. The guitarist and bassist, directly behind Barnes and standing on a raised platform, looked like 2008 indie dreamboats. All of the musicians on the stage were amazing performers with the skills and knowledge to put on a great show. (Source: Sierra Brown) As I moved through the crowd to take pictures, I couldn’t help but dance. The emotions behind of Montreal’s music are very real, but so is the fun. If you ever get the chance to see of Montreal, put on your most colorful outfit, throw on your best dancing shoes, and take it. Check out of Montreal on social media! Facebook: https://www.facebook.com/ofmontreal/ Twitter: @xxofMontrealxx Instagram: @of_Montreal Spotify: https://open.spotify.com/artist/5xeBMeW0YzWIXSVzAxhM8O   Story and photos by Sierra Brown.